項目名稱：哥本哈根Ku.Be社區(qū)中心

　　項目位置：丹麥哥本哈根

　　項目面積：3200 ㎡

　　完成年限：2016年

　　建筑師：MVRDV

　　主創(chuàng)建筑師：Jacob van Rijs

　　責任合伙人：Fokke Moerel

　　設計團隊：Mette Rasmussen, Julius Kirchert, Klaas Hofman, Francisco Pomares, Armor Gutierrez-Rivas, Buster Christensen, Attilio Ranieri, Chris Green, Kate van Heusen, Henryk Struski, Emanuela Gioffreda, Raymond van den Broek, Sanne van der Burgh, Karl Johan Nyquist, Maria López Calleja, Kasper Albrektsen

　　合作建筑師： ADEPT

　　景觀設計師： SLA

　　成本核算: Søren Jensen

　　機電工程：Max Fordham

　　活動設施咨詢：Jens Ole Jensen

　　丹麥王儲弗雷德里克為Ku.Be文化運動中心開幕，這座位于丹麥腓特烈斯貝的活動中心，志于探討在文化，健康和運動之間的界限。該項目由MVRDV和ADEPT設計，是第一個在空間類型學上同時具有社區(qū)空間，側重于探索和還同時發(fā)展最根本的運動空間。

　　Crown Prince Frederik of Denmark opened the Ku.Be House of Culture and Movement, an activity hub in Frederiksberg, Denmark, which explores the boundaries between culture, health and movement. The project, designed by MVRDV and ADEPT, is the first of its typology; a community space which also focuses on exploring and developing our most fundamental process, movement.

　　占地3200平方米的Ku.Be文化運動中心是為腓特烈斯貝市政府設計的項目。它作為一個焦點，將為當?shù)厣鐓^(qū)和泛哥本哈根區(qū)域服務。居民可以獲得這里的所有權，而項目的功能也會根據用戶的直接需求而改變。

　　The 3200 m2 Ku.Be House of Culture in Movement was designed for the municipality of Frederiksberg as a focal point for both the immediate community and also the wider area of Copenhagen; one that the people themselves could take ownership of and that would evolve its programme based on the specificwants and needs of its users.

　　這個項目定義了一種新的建筑類型；它直接回應了極為簡要的項目要求—塑造一個可以把人們聚在一起的建筑，改善人們的生活質量。MVRDV和ADEPT在它們的回答中，將劇院、運動和學習的功能交織于同一空間里，讓不同年齡、能力和興趣的人們都可以來這里鍛煉身心，進而推崇更健康的生活方式；它也通過設計，為社區(qū)創(chuàng)造了新的人際關系紐帶。

　　The project is a new typology, developed out of the response to a brief that solely asked for a building that would bring people together and improve the quality of life. In reply MVRDV and ADEPT answered with one that blends theatre, sport and learning into a space wherebody and mind are activated to promote a more healthy life for everyone, regardless of age, ability or interest; creating links between people that wouldn’t otherwise connect with each other. 

　　Ku.Be文化運動中心設有固定式和與能夠自發(fā)的空間。主要的空間定義了具體的活動空間，而被留下的虛空間則沒有特定的使用功能，旨在讓使用者詮釋他們的想法，自行發(fā)現(xiàn)空間的使用方式，并自由地游走在空間中?；顒涌臻g從里面延續(xù)到社區(qū)的花園，并且提供各種不同互動的交流環(huán)境。

　　Ku.Be facilitates both fixed, and spontaneous programmes. Main volumes define specific tempos of activities, whereas voids are left without a defined use to let users interpret them how they wish and discover new ways to use and get around the building. The activity from inside then spills out into the community as a garden which will offer a variety of interactive environments.

　　Ku.Be由六個承載著不同功能的主要體量構成。每個體量都被賦予獨特的顏色和材料，在建筑內部清晰可辨；在建筑外部，也可以透過分割磚立面，隱約看到這些形狀。

　　The six primary volumes which make up Ku.Be, each with their own programme, are clad in aunique colour and material, clearly defining them within the building; from outside these shapes are hinted at in the fragmented tile façade.

　　“較大的體量適合舉辦演出和舉行公共會議，小型的空間則可用于展覽和辯論?？旃?jié)奏風格的房間非常適合跳舞和跑酷；帶有禪意氛圍的房間則適合瑜伽或冥想，形成對比。連接兩者的體量將成為最有意思的空間；我們的設計對空間用途稍做暗示，但是真正的使用方式則將完全由用戶做主。”

　　“Larger volumes are suited to hold performances or public meetings, smaller ones can be for exhibitions or debates. The fast-pace rooms are perfect for dance, or parkour; and zen rooms give you the contrast of yoga or meditation. It’s between these volumes where the real fun will happen though; spaces where we hint at a use, but which will become entirely user-defined.”

　　穿越建筑的路徑注重發(fā)展和鼓勵不同形式的流動。從二樓到三樓，“迷宮”迫使人們手腳并用攀爬穿越一組三維立方體；他們也可以選擇走一個豎向迷宮“捕鼠夾”。

　　The route through the building focuses on developing and encouraging alternate forms of movement. The Labyrinth gets people on their hands and knees climbing through a three dimensional network of cubes from the second to third floors; or alternatively they could take the Mousetrap, a vertical maze.

　　一張大網貫穿幾層樓，用戶在層與層之間可以爬上爬下——懸于空中；滑梯和消防鋼管提供了一種快速下樓的途徑。

　　A net which spans several floors throughout the building, lets users climb up from floor to floor –suspended over the voids – and slides and fireman poles offer a fast way to getback down.

　　“在Ku.Be，我們試圖完全突破建筑中的傳統(tǒng)體驗，”ADEPT的共創(chuàng)人Martin Krogh說。“本來在建筑中簡單盲目的行走，在這里變成了對運動的探索和發(fā)現(xiàn)。你可以按照喜歡的方式來進行探索，攀、滑、爬……甚至跳。”為了適合不同年齡階層和個體情況，我們提供了簡單和標準兩種不同選擇；盡管如此，Ku.Be仍很好地保持了視覺上的承接。”

　　“In Ku.Be we tried to turn your average experience of a building on its head,” tells ADEPT co-founder Martin Krogh. “What would otherwise be a simple, mindless journey through the building turns into an exploration and discovery of movement. Here it’s you that defines the route, however you want: climbing, sliding, crawling … jumping.” To cater for all abilities and ages, both easier and more standard ways of moving around are provided but even then a visual connection is maintained throughout Ku.Be.

　　連接Ku.Be和城市的都市花園對八個體量和其內部活動的表達，起到了重要作用。變化的聲音、燈光和氣味構成了微縮景觀系統(tǒng)，與自帶滑梯的“山坡”無縫融合；這些多樣化的景觀一直延伸到花園和圓形劇場。

　　The urban gardens outside form the connection between Ku.Be and the urban realm, playing an important role in expressing the eight volumes and the activities happening inside. The diverse landscape - a system of microclimates with changing sounds, lights and scents which blends seamlessly into a hill with integrated slides - reaches out into the gardens and ends in an amphitheatre outside.

　　作為腓特烈斯貝城市景觀的延伸，這個文化和運動中心將在一定程度上起到整合社區(qū)的作用，并有望成為社區(qū)未來發(fā)展的孵化器。

　　By becoming an extension of the urban landscape of Frederiksberg and integrating the community to such an extent, the House of Culture and Movement looks to become an incubator for further development within the neighbourhood.